InfoD-Cafe: Stupid Voters
Karen Schriver
kschriver at earthlink.net
Wed Oct 27 00:50:20 CEST 2004
Hello Everyone,
I apologize to those who also read the Association of Teachers of
Technical Writing (ATTW) list, but I decided to cross-post this note
because it presents a timely example of how people in our
field--whether we call ourselves information designers, document
designers, or technical communicators--tend to be largely invisible
to the publics that need our help.
With Election Day in the US just a week away, it's no surprise to see
a flurry of news stories on the voting process. I'm writing to relate
a story that reinforces what a number of people on this list have
argued over the years; that is, we information designers need to make
our field and its perspective more visible to the general public.
About a week ago, a reporter from the Orlando Sentinel asked Tim
Shanahan (from the University of Illinois at Chicago's Center for the
Study of Literacy) and me to evaluate the quality of this year's
Florida ballots, county by county. (You'll recall that Florida was
the site of heated debate in 2000 regarding butterfly ballots,
hanging chads and such.) This year county officials redesigned many
of the paper and electronic ballots. Each county is permitted to do
its own design thing; there are only a few rules, e.g., no butterfly
ballot designs, no typography under 10 points, and no list of
candidates for the same office spread over two columns. Most tend to
use the familiar "fill-in the oval" design, while some use what is
called the "broken arrow" design--a weird strategy where voters must
connect two ends of an arrow. If you haven't seen it, check out at:
http://www.miami.com/mld/miamiherald/9469612.htm
Let's hope the counties that use the broken arrow strategy aren't
setting us up for another election meltdown next week. Our evaluation
was focused only on the paper ballots and I assessed them in ways you
might expect: integration of writing, design, and typography. I was
especially concerned with rhetorical moves that influence
comprehensibility, usability, trust, and persona. The reporter
summarized Shanahan's and my evaluations, interviewed us, and
supplemented the info we gave him with interviews from various
election officials.
I was pleased that the reporter seemed genuinely interested in what
citizens need and expect in the writing and design of a ballot. But I
was surprised that despite these interests, he seemed not to have
heard of document design, information design, or technical
communication. I tried to weave ideas about our field into the
interview he conducted, but only a trace of this discussion made it
into print. The main point of the story was to characterize what was
worse, what was the same, and what was better about the ballots
between 2000 and 2004. In addition to the points the reporter
summarizes about the ballot designs, he makes the nice point that the
writing and design of ballots should not make voting a de facto
literacy test.
At the end of the article, he quotes a Florida elections supervisor,
who makes a mean-spirited remark about "stupid people" who
vote--arguing that no matter how good the redesign, they (those
stupid people) won't mark it right. Cynical comments like these make
me believe that every time one of us has the chance to articulate the
needs of citizens, we should. There are too many of these public
officials who pollute the air with their snide remarks and who blame
the general public for not knowing what to do when confronted with
their atrocious writing and design.
If you'd like to read the story, see the following:
http://www.orlandosentinel.com/orl-asecballot23102304oct23,1,5704862.story
If that doesn't work, try:
OrlandoSentinel.com
You may have to register to read the story, but it is free. Type in
the keywords: Jeff Kunerth (that's the reporter's name). The story is
from Saturday October 23, 2004: "Counties try to work out kinks:
Formats are clearer but still have problems, experts say." You can
look at a sample of the "before" and "after" ballots by clicking on
the right-hand column under the blue heading "graphics."
karen schriver
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